Planet Giegling @ Superstiton, Village Underground

Giegling

If you have not heard of Giegling, they’re a crew of super-talented individuals, majorly German, who came into contact around a small German university town called Weimar. They have been releasing music since 2009 and rapidly becoming more prolific with every release, a vinyl only policy with very limited online presence in conjunction with their unique sounds helps make them highly sought after in such a commodified era.

During their early days of lurking in separate music scenes they gradually made contact and gravitated around a rundown post-GDR space with a great system that they used on the cheap “Giegling” (Originally called The Giegling) and used for 4(ish) legendary parties which set the precedent for their whole ethos moving forward. A deep, enticing sound of spacial nostalgia and lost emotions across many genres; minimal, micro house, dub, techno and leftfield electronica. Their music really has a sense of message and purpose, super heartfelt taking you away to places and feeling far out there you didn’t know existed. They’re one of the tightest labels in terms of sound and aesthetics, epitomised by their ethos “For us, Giegling is the belief that we are better together than as individuals,”

You can read deeper into Giegling at Resident Advisor and Juno Records.

As you can guess I was super excited at the announcement of their world tour…

Planet Giegling.

 

Planet Giegling Tour Poster

I was lucky enough to take a trip to Planet Giegling during the London stop of the world tour, and I must say it was quite the trip. For this leg they chose the renovated turn-of-the-century warehouse space, Village Underground, based in Shoreditch. The space has a real cryptic, religious feel with candles burning along the wall and and matched with a new installation from Giegling behind the decks, formed of a cross of 5 holes which looked to be carved into the wall holding extra large candles, perfectly suiting the aesthetic of the club night who hosted the event, Superstition. This also perfectly matched the Giegling vibe, and the almost religious experience that was to unfold, I can’t think of a better place in London.

Photos by Luca Crescenzi, full gallery here

Dwig (live) @ Planet Giegling, Village Underground

Setting the scene

The instant I walked into Village Underground I was taken aback with what they had done with the place; a bosom of filament bulbs hang above the dance floor; pulsing away to the downtempo beats of Dwig. You can catch his set here.

In addition to this an interesting bunch of Balloons float just above the decks, a mix of all different shapes and sizes, wafting gently between some abstract neon lighting. Initially I thought it was some bespoke scutltpure they’ve been carting around the world, but on closer inspection the balloons became apparent. They were a very impressively simple piece and along with the different colours and intensities of lighting, morphed into all kinds of awesome and bizarre shapes and figures, maybe helped with some slight acidity in my system, but nonetheless a great addition to the spectacle.

Giegling family all stand around assembling the beautiful bulbs
Giegling family assembling the beautiful bulbs
Bulbs an Bunting
Bulbs an Bunting

Journey begins

Warming the crowd up nicely with his more downtempo vibes Dwig sets the scene for one of Giegling’s more well-known acts Dj Dustin, the founder and runner of affairs, who come through with his trademark sound featuring kicks so crispy it feels like you’re right there inside the drum. Catch his Giegling #1 mix here.

Following him was probably my choice for the evening, Edward. Someone who has been hot on the lips of my Berlin-based friends, often playing in the ‘hain, I’ve been keen to check him for a while. He majestically moved the crowd and tempo through a multitude of feels, peaks and troughs, building powerfully to ecstasy quite impressive for the mid point of the party around midnight (had been running since ~7pm).

Gaining momentum

Up next ATEQ, who’s set I can’t speak too much about as I had a fair session in the smoke pit still wallowing in the highs of Edwards performance enjoying the pleasant sensations of some of the finest Moroccan. Following him was another heavy hitter of the crew Konstantin who recently gained hype after his sublime mix for the famous Georgian club, Bassiani. Really building on the intensity he took the crowd deeper and deeper, a pure energy felt to be building around the floor as though we were preparing for something big, real big.

Vril built upon this energy, initially curve-balling with some off-key trippy downtempo numbers before easing into his trademark hypnotic, powerful techno sound. Something the crowd were more than ready for an apparent in the increasingly abstract forms of dancing, raw energy flowing around pulsing the bodies like rag dolls.

Blast off

Kettenkarussell was to close of proceedings, named as the German for a chair-swing fair ground ride, he took the crowd of on the final spiral ascent up onto Planet Giegling. The last hour was a pure whirl wind of excitement as the real hardcore remained and danced themselves into an absolute bliss ascension.  The ballon installation was gyrating to the bass and masses of smoke which swirled all around, highlighted with the powerful lights and tears streaming down my face. It was such a spectacle I couldn’t help but break the events no-phone policy to snap the takeoff…

Blast off to Planet Giegling
Blast off to Planet Giegling

Floating down

Even weeks after I’m still on a high from the energies shared that trip to Planet Giegling, it was such a powerful, emotional night that is very hard to compare to anything else I’ve witnessed. Doubly inspiring that such a grass-roots group of friends can go on to traverse the globe spreading their unique sound and message, something rarely seen in the world of electronic music.

Giegling truly are producing a sound so hauntingly emotional and yet so highly personal that it feels like there is an honest and important message behind it, Planet Giegling feels like the most complete representation of that, yet I still cannot put my finger on it; magical.

 

Kids of the Black Hole

Stoked to finally share the new video Kids of the Black Hole, I decided to move away from my usual wavey aesthetic to portray the essence of my friend Daniel Bunker along with an underlying feeling on youth culture.

I first started SMBH with the idea of London being a Black Hole at the centre of the UK, sucking up all the inspired youth. This is the case even more so today, with its pull expanding across the globe. Which makes it all the more upsetting that we’re currently under one of the most aggressive attacks on youth culture in modern times; audacious increases in tuition fees, blanket bans on drugs not seen anywhere before, even in the Regan era and most importantly the serial closing of world music renowned venues.

However skateboarding seems to be going in the opposite direction, some of the largest globalised companies are investing millions into moulding it into a ‘sport’, skaters constantly striving for more perfect and technical tricks, epitomised most with the recent inclusion in the olympics.

I feel It shouldn’t be this way, it should be fun and about creative expression. Hence my direction in this new video, punk vibe, voice of the disgruntled youth, fuck the system. Filmed only in the streets or skater-made DIY spots.

Enjoy xx

 

Mainstream-Media, pushers from the shadows in the service of terror

Media in the service of terror is the latest release from Dominick Fernow under alias Vatican Shadow. Its a progressive, emotive techno album which takes on classic beats, pushing them to their limit with racing tempos and excitable synths. It feels though it builds on a narrative, telling the story of the modern day status quo, highlighting the issues with powerful vibrations. It is hard to overlook the political connotations and I feel they really add to the power of this record.

Starting off with Ziad Jarrah studied mathematics, a slow paced atmospheric track with thunderous crashes echoing around. A reverby organ plays in the background painting the scene of a lone figure deep in study of mathematics somewhere in the fringes of society.

More of the same  features pumping drums supplemented with lo-fi distorted claps and a teasingly simple synth which keeps you peering over the edge looking for more. This is such a powerful track for me, and potentially techno track of the year, check it out below:

Take vows is a boomy slow paced thumper which literally sounds like the thudding heart beat of a, to be initiated, assailant echoing around an airy space. Gradually building energy with more drums and a harsh acid synth to a subtle euphoria coming in the last minute, as though the vows have just been said and endorphins are flowing. Unfortunately the flow is completely broken in the album with a harsh finish an contrasting following track.

Where there is money there is unforgiveness features some floaty synths, and noisy mechanical high pitched drums with very little low end and lots of distortion. It is short an feels more like a skit then a track, for me serving only to break the momentum.

Interrogation mosaic pierces the silence with deep, reverberating synths leaving you in a constant state of flux and anticipation, but again lets it down loosely, Really playing on the constant perpetual fear the media push, with little or no end product. Following this are remixes of take vows and more of the same.

Media in the service of terror is an atmospheric techno record with deep feelings and emotion, leaving the listener in a disorientated state of mind. It is definitely physiological and gets in your head, a skill full homage to both the media and terrorism which operate in a similar headspace.

Check out the full album on Spotify

Media In The Service Of Terror
Album by Dominick Fernow

For Dylan xxxxx

Dylan Rieder was one of the most stylish and talented skateboarders to ever grace this planet, even typing this I am struggling to come to terms with how monumental a loss this is. Dylan sadly passed away yesterday, at the young age of 28, due to complications with Leukemia. This is for you, all your family, friends and fans; Galaxy wide.

Dylan Rieder gazing off into the galaxy

Whether it was the pages of Vogue magazine, modelling for DKNY, or shredding the streets, Dylan had an almost effortless cool which influenced our culture more then anyone else I can think; his influence spanned through many generations and industries making waves in both skateboarding and fashion . His black/white New York chic has been imitated by many, but replicated by none. The sheer amount of social media posts is a moving homage to just how many hearts he touched.

The real essence of Dylan however came out in his skating, explosive, powerful and of course stylish he was a true don papa. Unique in his trick selection, no one else was doing impossible tail-grabs and definitely not as audaciously high as Dylan.

Dylan Impossible over Bench at the Seaport NY

He was a true inspiration, and one legend who will be immortalised within skateboarding’s history.

Enough words, as they’re really just scratching the surface on his brilliance, below are a selection of our personal favourite from the don Dylan.

For Dylan xxxxxxxxxx

Now you’re suitably amped, please, go out there and shred…

For Dylan

Have you come from Farr?

Nestled away in Bygrave woodlands just north of London a few miles off the North Circular, Farr Festival manages to create a unique sense of isolation in which you can leave your worries behind and immerse yourself in the woodland vibes. This year was no exception with an expertly curated selection of music, across nine stages featuring the likes of John Talabot, Paranoid London, Move D, Dorisburg, Project Pablo, Denis Sulta, Helena Hauff and of corse the long awaited 6hr B2B2B with Ben UFO, Joy Orbison and Midland.

The festival offered both camping and day ticket options, capping at around 4,500 revellers; it never felt too crowded or busy. Even at peak times you could generally find space to get loose. All of the stages had their own unique charm, scattered throughout the woodlands you could really loose yourself in the mix; I constantly found myself finding little hidden cotches and areas I’d missed before. The campsite was a short way down the hill which provided both an impressive view on the walk back to the campsite, often to the backdrop of a beautiful sunrise, along with a walk up full of anticipation as the woods gradually came into view, the slogan “Back to the Woods” felt fitting indeed.

Group journey past the corn onwards to Farr, Bygrave Woods
cheeky
Flying Farr colours
Flying Farr colours

The Hidden Palace was as the name suggests, nestled deep into the heart of the woods and due to its more enclosed nature compared to other stages played host to a number of intimate standout sets. Funkineven was one hot on the lips of many after a funky lit acid electro set, eluding cool and charisma the crowd loved it when he stopped the music to get his smoke on, one of the many little touches by artists which really help to create a intimate atmosphere. A highlight for me was Tesselate Soundsystem dropping Oh Jabba by O B Ignitt, one of my all time favourites such a treat to finally hear it out. Giles Peterson was another highlight from this stage, a real crowd pleasure. Unfortunately I didn’t get to check out the extended set by A Love from outer space who hosted the stage, but I’m sure that was nothing short of intergalactic.

Farr Festival 2016 - Hidden Palace Stage
“~…Rummaging through a dustbin left by the old tenants, and there she was starring right back into me~”
[Rhys Salt] 2016
Farr festival 2016, blessed at the Hidden Palace stage
Blessed at the Hidden Palace

The FARR sign proved both a perfect meeting spot and even better vantage point, looking out across the rolling fields of surrounding Hertfordshire; It was a real perfect hub for gathering friends and brewing spirit.

Revelers sit upon the Farr sign, looking out over the rolling hills
FARR

FARR sign rolling hills rhys oosh squat

Although this seemed too much for some people, when one of the most savage out breaks of “Get if for the gram” I’ve ever seen killed it so hard, Some people just fully lost their shit shouting crazy, no lie it was fucking ridiculous. I say people but it was really only one person, I’m just so shocked never have I ever met witnessed someone kill tha vibe so hard in my life it is difficult to portray just how astonished I was… see squalling clear 20 plus people out the way to “Get it for the gram” was simply bizzare, so much for peoples ponchos huh… shame because they did look legit.

Girl at Peoples Ponchos move revellers aside to "get it for the gram"
Power to the People…’s ponchos.
Peoples Ponchos @ Farr
Peoples Ponchos @ Farr
Peepin at the people through the peephole
Peepin at the people through the peephole

ensue party people

The Shack Stage at Farr Festival 2016, earlier in the day before the madness ensued
The Shack Stage earlier in the day before the madness ensued
Warm Up stage
Warm Up stage was great during the day, providing lush warm and deep grooves for the afternoon sun. Its a shame this stage didn’t stay on later to float the party people up to the sunrise with some magical melodies and

The Terrace was popping the majority of the Friday night as you would’ve guessed, although I managed to catch first two hours before dashing off to see Move D at the Shack.

Alex and friends @ The Shack for  Move D
Alex and friends @ The Shack for Move D

After an hour of the legend Move D, I had to move on to the late and great Dances Tunnels stage wile out with Dorisburg. Bumped into my buddy Steveo and the Warm Up head honcho Aidan; getting excited for them to host the Terrace stage on Saturday.

Steveo and AidanSteveo and Aidan (Warm Up)  happy times
Steveo and Aidan big love

Hunnee was simply perfect to close out the Friday at the shack, a beautiful selection of soulful music transition through disco, funk to techno and house, his mixing was impeccable, a joy to behold.

 

Come take a trip
Come take a trip
Have you seen the Yo Yo Man ? Farr Festival 2016
The Yo Yo Man, have you seen him?

 

Waves at the Hidden Palace
Waves at the Hidden Palace

Wavelord

The Ran$om Note went deep on the Saturday evening with Paranoid London playing live along with Helena Hauf and finished by OGs Optimo

Ran$om Note stage at Farr Festival 2016
Ran$om Note stage at Farr Festival 2016

 

Dancing @  Farr Festival 2016

 

 

Aj and Steveo @ Farr Festival 2016
Aj and Steveo

 

See you next time
See you next time

 

At the start of the festival I was surprised when my friend steveo described Farr as a boutique festival, but now thinking back I wouldn’t describe it as any other way. The taste is delicious  throughout, great music selection, festival setup, atmosphere were all on point, Only thing is that it didn’t go on longer! The 4am finishes and wrapping up on the Saturday night were a surprise, and a little bit of a shame.

 

Shoot film, stay broke.

Percolate x Mind Fundraiser @ Oval Space

It was a great party, for an even better cause; Mind are a UK charity dedicated to providing advice and support to empower anyone experiencing a mental health problem.

On the whole a massive £9793.72 was raised – shout out to Percolate and all involved for helping to raise awareness and open up the conversation on mental health.

 

Peeping PercolatexMind Oval Space Leon Vynehall b2b bicep percolate mind oval space Hazy crowd percolate x mind oval space Crowd PercolatexMind Oval Space Cane Kane and Issace PercolatexMind oval space Don Killshaw PercolatexMind Oval Space

Love Thy Neighbour Oval space

 

 

More photos here

Floating Points Live @ Electric Brixton 

Floating points is a name you’ll probably be familiar with for songs like Vacum boogie and Nuits Sonores, really funky fresh dance tunes, with heaps of soul. This trademark sound was incubated through many intimate sessions at London’s Plastic People club, of which has sadly shit its doors at the turn of the year.

That being said, if you look further back into Dr Sam Shepard’s roots you see a highly educated neuroscientist with background in classical music, he started out as a choir boy in Manchester before learning to play an array of instruments. His debut album Elaenia is a cosmic culmination of Shepard’s varied musical career, placing it in genre hard pushed for comparison – spiritual jazz is the phrase which often comes up to describe it. You can read more about his album when he sat down with Katie Hutchinson from the Guardian 

The Live show was a great rendition of the album interspersed with some intense and interesting experimentation and improvisation, a highlight was a five minute techno drum an bass solo with mesmerising strobe lighting throughout. The whole orchestra were incredibly tight, even if they did look a little bored throughout some of the extended breakdowns – bringing out real highs and deep lows, You can fell how much Sam enjoys playing with the crowd.

Overall the gig was a good musical performance and Electric Brixton suited it well – my only criticism was that Shepard lacked much real showmanship such as introducing and closing words, which would’ve really help bring together such a disconnected and experimental set like this; Something he can definitely work on to take the show to the next level from musical expression to spiritual transcendence.

If you enjoyed the album then you should do all you can to try an catch an upcoming live show, if you prefer his older releases and Dj sets then you may be left a little wanting without that persistent funky rhythm to dance to.

Greg Wilson@ MAREH Music festival, Brasil NYE 2015

Jammy vibes throughout with a refreshing dose of re cut classics, Greg Wilson doesn’t disappoint with this mix! It sounded like a memorable party over in Brasil, read Greg wrote all about his time at the beautiful Mareh festival as well as some juicy bits about his Label Super Weird Substance’s first releases over on his blog.

Ever since I first saw Greg at the Williamson Tunnels in Liverpool, I have been captivated by his refreshing disco style of re cutting classics, always putting on a new show. I couldn’t recommend his sets any more, and wish him all the best with Super Weird Substance.

Enjoy the mix below

Check out many more on his Soundcloud
 

Track list

1) Bill Withers – Lovely Day (Copycat’s Slightly Re-edit)
2) Gilberto Gil – Maracatu Atômico (Greg Wilson And Derek Kaye Remix)
3) Sister Sledge – Living Ecstasy (Norinton Remix)
4) Greg Wilson Feat. The Reynolds – Summer Came My Way (Luxxury Club Mix)
5) Pink Floyd – Another Brick in The Wall (Agent 86 Remix)
6) The Doors – Riders on the storm (Luxxury Live Remix)
7) Led Zeppelin – Whole Lotta Love (Luxxury Edit)
8) Fingerman – Too Much
9) Hall & Oates – Go 4 That (Late Nite Tuff Guy Remix)
10) Sweet Tooth T – She Can’t Lovey/Feel The Same (Club)
11) Queen – Another one bites the dust (Agent 86 subliminal messages re-edit)
12) Aretha Franklin – Respect (Raw-Artes Edit)
13) Greg Wilson – Edit the Edit Two Sides Of Symphaty (Greg Wilson edit of pta mash)
14) Fingerman – It’s Your Favourite Foreign Movie
15) Late Nite Tuff Guy – Holiday
16) Psychemagik – Mink & Shoes (Greg Wilson Edit)
17) Eumir Deodato – Whistle Bump (Derek Kaye work in progress edit)

Five years of Grey skateboard magazine video

It’s been a very bleak few years for skateboard print magazines, but luckily we have Grey – a real Phoenix from the ashes. In its small form size its super easy to grab from your local skate store an read on the go. Always packed with the interviews you wanna read an shots you need to see. Grey magazine have been a truly essential part of the UK scene for the past few years, an it shows with this brilliant retrospective

 

Here’s to another five more amazing years of Grey!!!

Cheers guys!!!

How to make a ghetto fisheye for any camera CHEAP!


For only £2.50 you can make yourself a ghetto ass fisheye for all those proper gully angles.

Works best with cameras with small flush lenses like mobile phones or handicams.

Instructions:

Step 1) Buy this (or get cheaper one from your local hardware store)

Step 2) Cut out a gap in a bottle gap to fit the neck of the peep hole in (Not essential, just easier to mount)

Step 3) Unscrew back of peep hole and push the neck through, screw the back on.

Step 4) Mount the finished lens on your camera with whatever you can get your hands on! Tape, blu tack etc… For true security duct tape that fucker!!

Your finsihed ghetto fisheye should look something like this

Ghetto fisheye made from a peep hole

 

Here is some footage of Grant Taylor recorded with this sick little fisheye to show you its true power (about 50 seconds in)